I actually can't see it as a sequel to any version but especially not to the film. "The true feelings of Christine and the Phantom are revealed in LND!" I'm a die-hard E/C shipper but still I genuinely react with: Fuck no. Forgive me the strong phrasing but I love logic very much as well as the depth of their relationship which LND completely shits over.

Then someone comes saying LND isn't a sequel to the film but to ALW's PotO. But also that the film and the stage play are exactly the same thing. (Contradicting much?) Well, officially they are not exactly the same thing:

Andrew Lloyd Webber:...

I was watching the silent Lon Chaney version of "The Phantom of the Opera" earlier on TCM, and I began to do some pondering about the many Phantom movies.

When someone thinks of The Phantom of the Opera, often there are two iconic images that will come to mind. One is the famous unmasking of Lon Chaney, rightfully recognized as one of the very iconic images of not only horror, but of cinema itself. His face makeup is taken from the original novel's description of Erik, as someone with a horrible deformity from birth that gives him a terrifying corpse-like appearance.

The second iconic image...

Christine kisses Erik, who pretends to fulfill a promise but tells a devastating lie. She agrees to marry him in the book, giving up HER dreams. her COMPASSION is her STENTGH. The book was about a women's right to marry who she chooses.
"The Phantom of the Opera" is feminst Raoul follows her to her Father's grave for no reason when he says the Angel of Music isn't real he is being overprotective When Christine knows the truth he is someone to go to for support. He can't save himself from Erik's torture chamber! The Persian was the first Arab character I saw post-9/11. He was heroic, intelligent,...

Hi everyone, it's been coming to 9 years since I watched the musical in Singapore. I have always want to write this review of the stage version since I had did a comparison on both the movie and stage version!

The Staging

I was stunned by the staging because it was such a spectacular, colourful and whimsical, I also like how each scenes represent dark & light throughout the musical. It was like bringing the realism of what it's like of Palais de Garnier, on which the story is set.
One of my major disappointments was that I did not sit in front where the dramatic chandelier came crashing...

Location: POTO social media sites.

Mission Statement: To make Phans with better Phandom.

Who is our God?
Gaston Leroux is God.

Bible:
Gaston Leroux's Original Novel Illustrated by Andre Castaigne,

Praying to Leroux:
whenever you pray use this prayer:

Our Phantom who art in Paris
Erik be thy name
Thy Opera come, Don Juan be done
With Christine as star, as it should be
Give us this day our daily aria
And forgive us our punjabbing, as we have punjabbed in your name
And lead us not toward The Phantom Reviewer but deliver us from ______
For thine is Box 5, the mask, and candle, forever and ever...

What Annoys Me About The Phantom of Manhattan by Frederick Forsyth

All of the Leroux-bashing:

In the Preface, Forsyth repeatedly points out errors in Leroux’s novel, most of which are trivial and pointless (OMG! He said the chandelier was heavier than it really was! Shun Leroux!). And he keeps pointing out how Andrew Lloyd Webber “fixed” the errors, which brings me to…


Treating Andrew Lloyd Webber’s version like its perfect and the only “right” one:

Andrew Lloyd Webber’s stage show isn’t perfect. That being said, some parts of it were better in his version than in Leroux’s,...